Yesterday, students from the CFP Bauer data visualization course we ran with Gabriele Colombo presented their final projects, each built from more than 13,000 photographs drawn from the Triennale di Milano archive. Working in groups, they distilled the collection into five thematic catalogues, each opening with its own visual index: Materialista, by Gaia Milanese and Alessia Rodler, tracing the materials behind the artworks shown at the Triennale between 1933 and 1996; Casa Triennale, by Cesár Bourgeois, Alessandro Ventrella, and Pierluigi Foglia, following domestic environments and objects through a century of designers invited to the Triennale; 3-369, La moda alla Triennale di Milano, by Giulia Argenti and Michele Biondi, charting how fashion and style evolved across decades of clothing, jewellery, and accessories on display; Modular Surfaces, by Enrico Nardese and Donatella De Rosa, exploring the different modular patterns and surfaces used throughout the collection; and Wunder-Kammer, dalla natura al progetto, by Giacomo Agnello Modica and Martina Cioffi, uncovering the hidden and explicit relationships between design objects and natural forms.